No, this is not a misprint, as the Morris badged version is one of the rarest and most desirable models to devotees of the Metro. Virtually any car-based light commercial of the 1980s has a very poor survival rate, but the early Metro van is probably now a more unusual sight than an MG 6R4. Not to mention offering considerably better fuel economy.
‘All New, all powerful’, exclaimed the adverts, and on paper, a new C appeared to be the perfect sports car for the go-ahead motorist. As early as 1964, Abingdon gave serious thought to a more powerful version of the B, while the Austin-Healey 3000 was not far from the end of its distinguished career.
Fifty years ago, a factory in County Durham produced the first examples of a quite remarkable new coupe. The Clan Crusader’s production run may have lasted for little more than two years, but it made a more significant impact than other cars might achieve in ten.
Some new cars manage to anticipate the future and make many of its rivals look archaic; the Citroën DS in 1959, the Mini in 1959, the Fiat 128 in 1969 and the Audi 100 C3 in 1982. And when Peugeot unveiled their latest small hatchback in February 1983, there was a sense that “The 1980s” really had commenced. Even after 38 years, Gérard Welter’s styling barely dates, and for an idea of the 205’s impact in the UK, picture a bright red GR amidst a sea of second-hand Ford Cortina Mk. Vs and Talbot Solaras.
‘I’ve owned at least one Fiat 131s since I bought my first one, a 1600 Special in 1979, and at one point, I had three. My current metallic grey 131 Mirafiori Sport I bought in 2001 when I was told my previous silver 131 Sport was beyond economic restoration. “Everything can be fixed/repaired, but it’s not worth restoring this one! Buy another one” I was told’.
With many popular cars, it is the entry-level versions that so often have the worst survival rate. Many owners treated the likes of a Cortina 1300 Mk. II “Series One” De Luxe Estate as a humble workhorse. Similarly, the De Luxe saloon’s common fate was becoming a sub-par replica of the GT, the 1600E or even the Lotus. This is just one reason why Andrew’s 1967 “Alpine Green” example is such a fascinating machine. Another is that it recently played a very important role for his family.
A movie appearance can do wonders for a car. As well as making it a more desirable object, it can put some serious value on a vehicle.
All cars are created with good intentions. However, somewhere along the way, some cars take on dark associations. Unfortunately, in some cases, they can’t shake them off afterwards and are forever tinged with the incident or ownership that formed that shadow.
Fifty years ago, Luton unveiled ‘the kind of car that makes you impatient to be on your way’ – the new Firenza. Here was a coupe to rival the Ford Capri at home and score a major success in the company’s crucially important Canadian export market. As it transpired, the Vauxhall with ‘distinctive styling’ reached neither goal – despite its many strong-points.
A few days ago, Simon took his Equipe 2-Litre Mk. II Convertible for its first drive out after about ten years of being off the road. It is the sort of car that virtually demands that its hood be lowered, even in February, and a genuinely individualistic machine – even if too few people recognise it as a Bond. Mr. Fixter remarks while ‘everyone seems to like it’; members of the public tend to mistake it for ‘an obscure Alvis, Bristol or Jensen’.